BIAM offices are now exclusively in Madrid at the following address:

José Ortega y Gasset, 19-2 Izda
28006 Madrid
Tel.0034 91 445 99 00
Fax 0034 91 445 77 90
E-mail
marc.mazy@biamartists.com

 


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Born in 1977 in Barcelona, he studied in the High Music Conservatory of Liceu in Barcelona, where he studied composition, piano, violin and bassoon. He also received a degree in History of Art from the University of Barcelona.

He has been a singing pupil of soprano Mercè Puntí since 1989, and has also worked on repertoire with Dalton Baldwin, Marco Evangelisti, Mark Hastings, Norman Shetler and Roger Vignoles, on vocal technique with Christa Ludwig, Lorraine Nubar, Elisabeth Söderström, Bonaldo Giaiotti and Thomas Quasthoff, and on stage performance with Paul-Émile Deiber. He has worked on German diction with Sophie Süssmann, on French diction with Philippe Mercier, on Italian diction with Giovanni Ceto and on English diction with Alan Branch.

He made his debut at the age of 12 (as a treble), performing the leading role of Manuel de Falla's "El retablo de Maese Pedro" ("Master Pedro's puppet show"), an opera that he recorded for Harmonia Mundi in 1990 with the Orquestra de Cambra del Teatre Lliure, conducted by Josep Pons. This recording was awarded many international prizes such as "Diapason d'Or", "10 de Répértoire" and "Choc de la Musique". He also sang for three years in the Liceu Opera House's Children's Choir under the direction of Maestro Antoni Coll i Cruells.

He has won prizes in International Competitions such as the "Preisträger" from the Sommerakademie Mozarteum Salzburg (2002) and the 3rd. Male Prize, the Mozart Prize and the Plácido Domingo Prize in the "40th.International Singing Competition Francisco Viñas" (2003), amongst others.

He has performed in Gran Teatre del Liceu (First Gravedigger in "Hamlet" by Thomas; Joao in Montsalvatge's "Babel 46"; Ennius in Massenet's "Cléopâtre"; Marullo in Verdi's "Rigoletto"), Palau de la Música Catalana ("Messiah by Händel, and the role of Christ in Bach's "St. Matthew Passion"), L'Auditori de Barcelona (world première of the García Demestres' opera "Contes, tirallongues, jocs i colors"; European première of Daniel Schnyder's oratorio "The revelation of Saint John"; the role of Don Quijote in De Falla's "Master Pedro's puppet show"), Teatre Fabià Puigserver (Don Parmenione in "L'occasione fa il ladro" by Rossini), Teatro Zorrilla (Aeneas in "Dido and Aeneas" by Purcell, and Adonis in Blow's "Venus and Adonis"), Auditorium Castell de Peralada in Girona (Commissario Imperiale in Puccini's "Madama Butterfly"), Teatro Campoamor in Oviedo (Crébillon/Rabonnier/Un maggiordomo in Puccini's "La Rondine"), Teatro de la Maestranza in Sevilla (Händel's "Messiah"), Auditorio Nacional in Madrid ("St. John Passion" and "Mass in g minor" by Bach), Auditorio Manuel de Falla in Granada (world première of García Demestres' "Mariana en sombras", and Fauré's "Requiem"), Basílica de Sant Francesc in Palma de Mallorca (Bach's "St. Matthew Passion"), Auditorio de Zaragoza (Polifemo in "Aci, Galatea e Polifemo" by Händel), Concertgebouw in Amsterdam ("Mass in g minor" by Bach), Church of La Madeleine in Paris (Mozart's "Requiem"), Chatêau de Beloeil in Belgium (Mozart's "Coronation Mass"), Teatro Municipal in Santiago de Chile (Ned Keene in Britten's "Peter Grimes"), and in festivals such as the Early Music Festival in Barcelona (Aeneas in Purcell's "Dido and Aeneas"), the Festival "Piano aux Pyrenées" (Brahm's "A German Requiem"), ...

He has given recitals in Spain (Auditorium CaixaForum in Barcelona, Liceu Opera House's Foyer, Círculo del Liceu, Santa Cristina de Aro's church, Auditorium Prince Felipe in Oviedo, Auditorium "la Caixa" in Palma de Mallorca,...), France (Cloister of the Cimiez's Monasterium in Nice), Austria (Grosser Saal and Wiener Saal of the Salzburg's Mozarteum), and the United Kingdom (Leighton House in London) with pianists Dalton Baldwin, Norman Shetler, Roger Vignoles, ...

He has worked with conductors such as Marco Armiliato, Bertrand De Billy, Edmon Colomer, Jan Latham-Koenig, Eduardo López Banzo, Jesús López Cobos, Pier Giorgio Morandi, Miquel Ortega, Josep Pons, Antoni Ros-Marbà and Sebastian Weigle; and directed on stage by Lindsay Kemp, Alfred Kirchner, Jorge Lavelli, Lluís Pasqual, Mario Pontiggia, and Graham Vick...

He has recently recorded the role of the "Forester" in the BBC's cartoon production on the opera "The cunning little vixen" by Janácek (sung in Catalan and Spanish) under Kent Nagano.

Amongst his future engagements: Pepuso (in Granados' "María del Carmen") and Lescaut (in Massenet's "Manon") in Liceu Opera House of Barcelona; Lord Sidney (in Rossini's "Il viaggio a Reims") in Théâtre de La Monnaie (Brussels); Don Profondo (in "Il viaggio a Reims") in Teatro Campoamor, Oviedo; Albert (in Massenet's "Werther") in the Opera de Las Palmas de Gran Canaria; Alidoro (in Rossini's "La Cenerentola") in Teatro Carlo Felice in Genova; Händel's "Messiah" in Auditorio Manuel de Falla (Granada) and in the Auditòrium (Palma de Mallorca); a recital with pianist Friedrich Haider (Auditorio Prince Felipe, Oviedo); a CD recording of García Demestres' opera "Mariana en sombras"; a CD Lied recital with pianist Dalton Baldwin;

At the Théâtre du Châtelet in Paris, winter 2006-07, he will star as Macrobio in Rossini’s “la Pietra del paragone” directed by Jean-Christophe Spinosi and the mise en scène by Giorgio Barberio Corsetti.